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Works

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“Bravo Mirko, ho letto il tuo articolo e mi sembri proprio un architetto ormai maturo. Complimenti. Cari saluti.”

[Gabriele Cappellato, Padova,  Docente Accademia di architettura - Università della Svizzera italiana]

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“Bravissimo Mirko! Bellissimo il tuo articolo e le opere presentate.”

[Nikos Ktenas, Atene, Architetto]

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CARPE DIEM

“Every person dies, but not every person lives.”

Michael Michalko

CARPE DIEM is Latin for “seize the day.”
As a greeting in ancient Rome, it reminded Romans to “seize each day” and live each moment joyously and alive.

 

Listed below are some materials about attitudes, beliefs, and behaviors to help you “seize the day.”

http://creativethinking.net

Library of Carpe Diem Materials: 

  • Paradox Of Our Times…
    We place great importance on having bigger, better, faster, prettier, and more things, but we often fail to recognize truly important things until it is too late.
  • We Do Not Choose To Be Born…
    We choose how we shall live, and we make decisions that affect our lives.  No matter how indifferent the universe may be to our choices and decisions, those choices and decisions are ours to make.  We decide.  We choose.  In the end, our creativity is decided by what we choose to do and what we refuse to do.
  • Ikiru…
    Learn how to unleash your potential by removing your deep-seated limitations.  Teach yourself to think of yourself as ‘I’ instead of thinking of yourself as ‘me.’
  • You Cannot Make A Tree…
    Improve your self-image and turn your musings into reality by intentionally switching from wishful thinking to positive thinking.
  • A Good Life…
    How to live a good life…

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LE NUVOLE DEGLI ARCHITETTI – PARTE II

Eur New Congress Centre by Massimiliano Fuksas

http://www.fuksas.it

The structure will be built in a strategic area of the historic quarter EUR on a 55,000-square-meter  built surface. The design concept is briefly explained by three images: the ”Theca”, the ”Cloud” and the ”blade” of the Hotel.

Immagine anteprima YouTube

The ”Theca”, longitudinally oriented, is the container, with steel structure and glass double-facade, that encloses the Cloud.

The ”Cloud” is the heart of the project. Its constriction into the ”box” of the Theca underlines the comparison between a free spatial articulation, without rules, and a geometrically defined shape. Inside the Cloud there are: an auditorium for 1850 people, snack points and support services to the auditorium. The Cloud is, without any doubt, the distinctive architectural element of the project: the structure in steel ribs, with its extraordinary visual effect, will be covered by a 15,000-square-meter transparent curtain. The 441-room hotel, the ”blade”, is thought as an independent and autonomous structure. At the underground level of the complex it’s planned a 600-place parking.

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LE NUVOLE DEGLI ARCHITETTI – PARTE I

Casalgrande Ceramic Cloud by Kengo Kuma
Casalgrande, Reggio Emilia, Italy
2010.09
Monument

Fonte: http://kkaa.co.jp

We were asked to create a monument in a road roundabout in Casalgrande, an area of Reggio Emilia known for its great tradition and technology for ceramics. This roundabout is surrounded by the beautiful landscape characteristic of that part of Italy.

We took the challenge of involving the ceramic tile as an architectural element itself, avoiding its conventional use as a mere cladding.

Just after developing a specific detail of how to panel and connect standard ceramic tiles, we understood the possibilities of how to assembly and organize them creating different structures.

Immagine anteprima YouTube

With this unique structure we wanted to avoid creating a monument that stands in the middle of the site: we wanted it to become part of the site. Therefore we decided to create a wall that simply divides the site in two making it a special place with a dual character, far from the usual and banal roundabouts. Our anti-monumental approach went far enough to decide aligning the direction of the ceramic wall with the road that leads to it so as to make it almost disappear: when reaching the site, drivers will only perceive a roundabout divided by a vertical line. Only when going around it, along the movement of the car the wall extends until appearing with its whole length of 45 meters.

Immagine anteprima YouTube

In our buildings we usually work with concepts of anti-dimension or anti-volume but in a project like this with such an especial site (a roundabout only approachable by cars) we wanted to experiment on these concepts’ relationship with dynamic principles such as time, movement and sequential perception.

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Il nuovo e il vecchio

“E nessuno mette del vino nuovo in otri vecchi, altrimenti il vino li fa scoppiare: così il vino esce fuori e gli otri vanno perduti. Invece, per vino nuovo ci vogliono otri nuovi.
Chi beve vino vecchio non vuole vino nuovo perché dice: quello vecchio è migliore.
Lc 5, 37-39

Future Shack
1985 – 2001
No fixed address

Fonte: www.seangodsell.com

A mass produced relocatable house for emergency and relief housing. Recycled shipping containers are used to form the main volume of the building. A parasol roof packs inside the container. When erected, the roof shades the container and reduces heat load on the building. Legs telescope from the container enabling it to sited without excavation on uneven terrain.

This house has applications for a variety of needs – post flood, fire, earthquake or similar natural disasters, temporary housing, third world housing, remote housing and so on. The universal nature of the container means that the houses can be stockpiled and easily transported throughout the world. The Future Shack can be fully erected in 24 hours.
As architects in stable democracies our responsibilities are reasonably clear cut. Our role in those societies where freedom has been ripped away by force, or where nature has devastated whole cities, or when generations of minority groups have been forced into a life of poverty because of a political philosophy, is hazy by comparison. The need ‘to house’, born out of the adversity of war offers for architects the opportunity to provide shelter for fellow human beings in need. To that end our building provides:

1. Mass Production
Steel shipping containers are robust and durable. They are a mass produced and inexpensive universal module which forms the basis of this design.

2. Flexibility
As a base module the containers can be stockpiled for use on an ‘as required’ basis. They are designed to be transported by trucks and ships and trains- all infrastructure for the handling of the module is available world wide.

3. Ease of siting
Packed inside the container is a pair of steel brackets which are fixed to the outside of the container. Inside the brackets are four legs which telescope out and which can therefore enable the module to be sited without the need for extensive site preparation.

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[Aggiornamenti] Grazie!

Un grande “Grazie!” a tutti quelli che hanno richiesto e ordinato una copia di “Mirko Pizzato Works 2000-2010”.

Ecco il link per vedere le statistiche della Monografia:

http://it.calameo.com/books/0005421231af040ad18e6

Puoi leggerle cliccando su “Statistiche” sotto l’immagine di copertina [di fianco a "Commenti"]

Apprezzo molto il vostro supporto e la vostra collaborazione.

Grazie!

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P.S. Donazione per richiedere una copia della Monografia: